ELECTRONIC MUSIC

Bruckmann’s creative work often augments or altogether supplants his double reeds with electronic instrumentation, emphasizing vintage analog modular synthesis.

Early forays took root during the late-90s ‘eai’ sub-niche heyday while he lived in Chicago, most significantly in the context of EKG. More recently, while these experiments routinely infect his ‘concert music,’ other distinct projects recast, subvert and hybridize classic tropes of kosmische Musik, early industrial, EBM and minimal techno.